This article examines the possibilities for re-imagining a queer indigenous past in Sparrooabbán (Me and My Little Sister, Suvi West, 2016)—the first feature-length documentary film that discusses non-heterosexuality in Sámi communities. We explore how the film queers the gákti, the traditional Sámi dress; how it uses elements other than verbal expression to mark queer traces in Sápmi; and how spirituality and faith create a (dis)connection to a Two-Spirit past and present. We argue that the documentary produces a series of minor transformative gestures to create a queer Sámi archive of affect when there is no conventional archival knowledge of gender and sexual diversity pre–settler colonialism.
|Publication status||Accepted/In press - 2021|
|MoE publication type||A1 Journal article-refereed|
- Queer Indigenous Studies
- Indigenous peoples
- Sámi cinema
- settler colonialism