Sammanfattning
This article presents the semiotics and rhetoric of the Belgian research collective Groupe μ, with a special focus on its contribution to visual semiotics. The distinction between two kinds of visual signs, plastic and “iconic” (or pictorial), is accounted for. The varieties of visual rhetoric according to the analyses of Groupe μ are explained and exemplified. These analyses are instances of an open dialogue between cognitive science and aesthetics, and incentives for its continuation.
| Originalspråk | Engelska |
|---|---|
| Titel på värdpublikation | Open Semiotics |
| Undertitel på värdpublikation | Texts, Images, Art |
| Redaktörer | Amir Biglari |
| Förlag | L´Harmattan |
| Sidor | 103-122 |
| Antal sidor | 20 |
| Volym | 3 |
| ISBN (tryckt) | 978-2-14-030528-3 |
| Status | Publicerad - juni 2023 |
| MoE-publikationstyp | A3 Del av bok eller annan forskningsbok |
Fingeravtryck
Fördjupa i forskningsämnen för ”The Visual Semiotics and Rhetoric of Groupe μ: Opening a Dialogue Between Linguistics, Aesthetics and Cognitive Science”. Tillsammans bildar de ett unikt fingeravtryck.Citera det här
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver