Mao’s Homeworld(s) : A Comment on the Use of Propaganda Posters in Post-War China

Arts and Humanities

• Post-War 100%
• Third Reich 100%
• Collective Identity 66%
• Contemporary 33%
• Esthetics 33%
• Discourse 33%
• Artwork 33%
• Cognitive 33%
• 1950s 33%
• Communist 33%
• Cultural Semiotics 33%
• Narrative 33%
• Cognitive Science 33%
• Narrative Structure 33%
• Mao Ze-dong 33%
• master narrative 33%
• Picturing 33%
• Middle Ages 33%
• Otherness 33%
• Skeleton 33%
• Visual media 33%
• Demarcation 33%
• Verbs 33%
• Jews 33%
• Subcultures 33%

Keyphrases

• Propaganda Posters 100%
• Chinese Communist Party 33%
• Contemporary Aesthetics 33%
• Visual Media 33%
• Semiotic Perspective 33%
• Arab Media 33%
• Political Cohesion 33%
• Master Narratives 33%
• Northwestern University 33%
• Home Culture 33%
• Visual Artwork 33%
• Story Narrative 33%
• Science Narratives 33%
• Gist 33%
• Cognitive Instruments 33%
• Mao Zedong 33%
• Shared Stories 33%
• Cognitive Tools 33%