Sammanfattning
Readers of Forster will find in Cedric Van Dijck’s monograph a thorough
contextualization of his Egyptian writings as part of an argument about the cul-
tural history of the First World War. Forster’s texts of Alexandria are placed
in the environment of the liminal city where they were written, filled with
a mass of images and items, many of them displaced by war, and often strange
multilingual utterances. Equally, they appear in a new light when put alongside
what Apollinaire, Woolf, Mirrlees, and Anand did with the objects of war.
contextualization of his Egyptian writings as part of an argument about the cul-
tural history of the First World War. Forster’s texts of Alexandria are placed
in the environment of the liminal city where they were written, filled with
a mass of images and items, many of them displaced by war, and often strange
multilingual utterances. Equally, they appear in a new light when put alongside
what Apollinaire, Woolf, Mirrlees, and Anand did with the objects of war.
| Originalspråk | Engelska |
|---|---|
| Sidor (från-till) | 145-151 |
| Tidskrift | Polish Journal of English Studies |
| Volym | 10 |
| Nummer | 2 |
| Status | Publicerad - 2024 |
| MoE-publikationstyp | B1 Artikel i en vetenskaplig tidskrift |
FN:s SDG:er
Detta resultat bidrar till följande hållbara utvecklingsmål:
-
SDG 16 – Fredliga och inkluderande samhällen
Fingeravtryck
Fördjupa i forskningsämnen för ”[Book review of] Cedric Van Dijck, 2023. Modernism, Material Culture and the First World War (Edinburgh: Edinburgh University Press)”. Tillsammans bildar de ett unikt fingeravtryck.Citera det här
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