Abstrakti
Readers of Forster will find in Cedric Van Dijck’s monograph a thorough
contextualization of his Egyptian writings as part of an argument about the cul-
tural history of the First World War. Forster’s texts of Alexandria are placed
in the environment of the liminal city where they were written, filled with
a mass of images and items, many of them displaced by war, and often strange
multilingual utterances. Equally, they appear in a new light when put alongside
what Apollinaire, Woolf, Mirrlees, and Anand did with the objects of war.
contextualization of his Egyptian writings as part of an argument about the cul-
tural history of the First World War. Forster’s texts of Alexandria are placed
in the environment of the liminal city where they were written, filled with
a mass of images and items, many of them displaced by war, and often strange
multilingual utterances. Equally, they appear in a new light when put alongside
what Apollinaire, Woolf, Mirrlees, and Anand did with the objects of war.
| Alkuperäiskieli | Englanti |
|---|---|
| Sivut | 145-151 |
| Julkaisu | Polish Journal of English Studies |
| Vuosikerta | 10 |
| Numero | 2 |
| Tila | Julkaistu - 2024 |
| OKM-julkaisutyyppi | B1 Artikkeli tiedelehdessä |
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SDG 16 – Rauha, oikeudenmukaisuus ja vahvat instituutiot
Sormenjälki
Sukella tutkimusaiheisiin '[Book review of] Cedric Van Dijck, 2023. Modernism, Material Culture and the First World War (Edinburgh: Edinburgh University Press)'. Ne muodostavat yhdessä ainutlaatuisen sormenjäljen.Viittausmuodot
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