Abstract
Tubal-Kain and the Mysterious Blacksmith in Öja, Gotland
On the late-Gothic north portal of Öja Church in southern Gotland, a strange human figure lies stretched out on top of the colonnettes. Dressed in a long robe and a peculiar hat, with a full beard and long curly hair, he is holding a hammer and a tong, which in turn grips a horseshoe. That he is a blacksmith seems obvious, but nothing else indicates his identity. Who is he, what is he doing there, and when did he get there? In previous research this figure is habitually identified as St Eligius or St Dunstan, both patron saints of blacksmiths. On the basis of his attributes, position in the portal and the contemporary literary and iconographic context, especially the immensely popular Speculum humanae salvationis, the author reviews the grounds for this assumption and argues for a new solution to the question of the smith’s identity: Tubal Cain, the antediluvian inventor of the craft of smithery and working of iron. However, none of these identifications can be considered secure: it is quite possible that we are dealing with a portrait of a local chieftain or magnate whose prominent position is legitimized by the addition of saintly attributes.
On the late-Gothic north portal of Öja Church in southern Gotland, a strange human figure lies stretched out on top of the colonnettes. Dressed in a long robe and a peculiar hat, with a full beard and long curly hair, he is holding a hammer and a tong, which in turn grips a horseshoe. That he is a blacksmith seems obvious, but nothing else indicates his identity. Who is he, what is he doing there, and when did he get there? In previous research this figure is habitually identified as St Eligius or St Dunstan, both patron saints of blacksmiths. On the basis of his attributes, position in the portal and the contemporary literary and iconographic context, especially the immensely popular Speculum humanae salvationis, the author reviews the grounds for this assumption and argues for a new solution to the question of the smith’s identity: Tubal Cain, the antediluvian inventor of the craft of smithery and working of iron. However, none of these identifications can be considered secure: it is quite possible that we are dealing with a portrait of a local chieftain or magnate whose prominent position is legitimized by the addition of saintly attributes.
| Original language | Swedish |
|---|---|
| Pages (from-to) | 129-152 |
| Number of pages | 23 |
| Journal | ICO Iconographisk Post. Nordisk tidskrift för bildforskning – Nordic Review of Iconography |
| Issue number | 1-2 |
| Publication status | Published - 2020 |
| MoE publication type | A1 Journal article-refereed |