Sensing time and space through the soundtracks of Interstellar and Arrival

John Richardson, Anna-Elena Pääkkölä, Sanna Qvick

Research output: Chapter in Book/Conference proceedingChapterScientificpeer-review

Original languageEnglish
Title of host publicationThe Oxford Handbook of Cinematic Listening
PublisherOxford University Press
Chapter19
Pages385-406
Publication statusPublished - 2021
MoE publication typeA3 Part of a book or another research book

Keywords

  • film music studies
  • science fiction
  • cultural musicology
  • minimalist music
  • film music
  • multisensory sound design
  • scifi music
  • aliens
  • Interstellar
  • Arrival
  • scifi film
  • Films
  • movies
  • Romanticism
  • neominimalist composition
  • Stockhausen
  • Philip Glass
  • Scifi and gender
  • Johann Johannsson
  • Hans Zimmer

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