Gendered Agendas and the Representation of Gender in Women Composers’ Operas and Theatre Music at the Dawn of the ‘Women’s Century’.: Case studies of Helena Munktell’s In Florence (1889) and Tekla Griebel’s The Rose Time (1895

Camilla Hambro; Owe Ander; Broman-Kananen  Ulla-Britta; Hesselager Jens; Sivuoja Anne

Gendered Agendas and the Representation of Gender in Women Composers’ Operas and Theatre Music at the Dawn of the ‘Women’s Century’. Case studies of Helena Munktell’s In Florence (1889) and Tekla Griebel’s The Rose Time (1895

Camilla Hambro, Owe Ander (Editor), Broman-Kananen Ulla-Britta (Editor), Hesselager Jens (Editor), Sivuoja Anne (Editor)

Culture, History and Philosophy

Research output: Chapter in Book/Conference proceeding › Chapter › Scientific › peer-review

Original language	English
Title of host publication	Opera on the Move in the Nordic Countries during the Long 19th Century
Place of Publication	Helsinki
Publisher	Docmus research Publications
Chapter	10
Pages	271–298
Number of pages	27
Volume	4
ISBN (Electronic)	978-952-5959-46-8
ISBN (Print)	2242-6218, 2242-6418
Publication status	Published - 21 Dec 2012
MoE publication type	A3 Part of a book or another research book

Publication series

Name	DocMus Research Publications
Publisher	Sibelius Academy
Volume	4
ISSN (Print)	2242-6418
ISSN (Electronic)	2242-6426

Access to Document

https://issuu.com/sibelius-akatemia/docs/opera_on_the_moveLicence: Unknown

Cite this

Hambro, C., Ander, O. (Ed.), Ulla-Britta, B-K. (Ed.), Jens , H. (Ed.), & Anne, S. (Ed.) (2012). Gendered Agendas and the Representation of Gender in Women Composers’ Operas and Theatre Music at the Dawn of the ‘Women’s Century’. Case studies of Helena Munktell’s In Florence (1889) and Tekla Griebel’s The Rose Time (1895. In Opera on the Move in the Nordic Countries during the Long 19th Century (Vol. 4, pp. 271–298 ). (DocMus Research Publications ; Vol. 4). Docmus research Publications. https://issuu.com/sibelius-akatemia/docs/opera_on_the_move

Hambro, Camilla ; Ander, Owe (Editor) ; Ulla-Britta, Broman-Kananen (Editor) ; Jens , Hesselager (Editor) ; Anne, Sivuoja (Editor). / Gendered Agendas and the Representation of Gender in Women Composers’ Operas and Theatre Music at the Dawn of the ‘Women’s Century’. Case studies of Helena Munktell’s In Florence (1889) and Tekla Griebel’s The Rose Time (1895. Opera on the Move in the Nordic Countries during the Long 19th Century. Vol. 4 Helsinki : Docmus research Publications, 2012. pp. 271–298 (DocMus Research Publications ).

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Hambro, C, Ander, O (ed.), Ulla-Britta, B-K (ed.), Jens , H (ed.) & Anne, S (ed.) 2012, Gendered Agendas and the Representation of Gender in Women Composers’ Operas and Theatre Music at the Dawn of the ‘Women’s Century’. Case studies of Helena Munktell’s In Florence (1889) and Tekla Griebel’s The Rose Time (1895. in Opera on the Move in the Nordic Countries during the Long 19th Century. vol. 4, DocMus Research Publications , vol. 4, Docmus research Publications, Helsinki, pp. 271–298 . <https://issuu.com/sibelius-akatemia/docs/opera_on_the_move>

Gendered Agendas and the Representation of Gender in Women Composers’ Operas and Theatre Music at the Dawn of the ‘Women’s Century’. Case studies of Helena Munktell’s In Florence (1889) and Tekla Griebel’s The Rose Time (1895. / Hambro, Camilla; Ander, Owe (Editor); Ulla-Britta, Broman-Kananen (Editor); Jens , Hesselager (Editor); Anne, Sivuoja (Editor).

Opera on the Move in the Nordic Countries during the Long 19th Century. Vol. 4 Helsinki : Docmus research Publications, 2012. p. 271–298 (DocMus Research Publications ; Vol. 4).

Research output: Chapter in Book/Conference proceeding › Chapter › Scientific › peer-review

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KW - Helena Munktell, Tekla Griebel, "I Firenze", "I Rosentiden", Kvindernes Udstilling fra Fortid til Nutid Köpenhamn 1895, genus och kanonisitet vid ingången till 1900-talet

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Hambro C, Ander O, (ed.), Ulla-Britta B-K, (ed.), Jens H, (ed.), Anne S, (ed.). Gendered Agendas and the Representation of Gender in Women Composers’ Operas and Theatre Music at the Dawn of the ‘Women’s Century’. Case studies of Helena Munktell’s In Florence (1889) and Tekla Griebel’s The Rose Time (1895. In Opera on the Move in the Nordic Countries during the Long 19th Century. Vol. 4. Helsinki: Docmus research Publications. 2012. p. 271–298 . (DocMus Research Publications ).