Gendered Agendas and the Representation of Gender in Women Composers’ Operas and Theatre Music at the Dawn of the "Women’s Century": Case studies of Helena Munktell’s In Florence (1889) and Tekla Griebel’s The Rose Time (1895

Camilla Hambro

Gendered Agendas and the Representation of Gender in Women Composers’ Operas and Theatre Music at the Dawn of the "Women’s Century": Case studies of Helena Munktell’s In Florence (1889) and Tekla Griebel’s The Rose Time (1895

Culture, History and Philosophy

Research output: Chapter in Book/Conference proceeding › Chapter › Scientific › peer-review

Original language	English
Title of host publication	Opera on the move in the Nordic Countries during the Long 19th century
Editors	Anne Sivuoja, Owe Ander, Ulla-Britta Broman-Kananen, Jens Hesselager
Place of Publication	Helsinki
Publisher	Sibelius Academy
Chapter	10
Pages	271–299
Number of pages	28
ISBN (Print)	978-952-5959-45-1
Publication status	Published - 21 Dec 2012
MoE publication type	A3 Part of a book or another research book

Publication series

Name	DocMus-tohtorikoulun julkaisuja
Publisher	Sibelius Academy
Volume	4
ISSN (Print)	2242-6418
ISSN (Electronic)	2242-6426

Access to Document

https://issuu.com/sibelius-akatemia/docs/opera_on_the_moveLicence: Publisher rights policy

Cite this

Hambro, C. (2012). Gendered Agendas and the Representation of Gender in Women Composers’ Operas and Theatre Music at the Dawn of the "Women’s Century": Case studies of Helena Munktell’s In Florence (1889) and Tekla Griebel’s The Rose Time (1895. In A. Sivuoja, O. Ander, U-B. Broman-Kananen, & J. Hesselager (Eds.), Opera on the move in the Nordic Countries during the Long 19th century (pp. 271–299). (DocMus-tohtorikoulun julkaisuja; Vol. 4). Sibelius Academy. https://issuu.com/sibelius-akatemia/docs/opera_on_the_move

Hambro, Camilla. / Gendered Agendas and the Representation of Gender in Women Composers’ Operas and Theatre Music at the Dawn of the "Women’s Century" : Case studies of Helena Munktell’s In Florence (1889) and Tekla Griebel’s The Rose Time (1895. Opera on the move in the Nordic Countries during the Long 19th century. editor / Anne Sivuoja ; Owe Ander ; Ulla-Britta Broman-Kananen ; Jens Hesselager. Helsinki : Sibelius Academy, 2012. pp. 271–299 (DocMus-tohtorikoulun julkaisuja).

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Hambro, C 2012, Gendered Agendas and the Representation of Gender in Women Composers’ Operas and Theatre Music at the Dawn of the "Women’s Century": Case studies of Helena Munktell’s In Florence (1889) and Tekla Griebel’s The Rose Time (1895. in A Sivuoja, O Ander, U-B Broman-Kananen & J Hesselager (eds), Opera on the move in the Nordic Countries during the Long 19th century. DocMus-tohtorikoulun julkaisuja, vol. 4, Sibelius Academy, Helsinki, pp. 271–299. <https://issuu.com/sibelius-akatemia/docs/opera_on_the_move>

Gendered Agendas and the Representation of Gender in Women Composers’ Operas and Theatre Music at the Dawn of the "Women’s Century" : Case studies of Helena Munktell’s In Florence (1889) and Tekla Griebel’s The Rose Time (1895. / Hambro, Camilla.

Opera on the move in the Nordic Countries during the Long 19th century. ed. / Anne Sivuoja; Owe Ander; Ulla-Britta Broman-Kananen; Jens Hesselager. Helsinki : Sibelius Academy, 2012. p. 271–299 (DocMus-tohtorikoulun julkaisuja; Vol. 4).

Research output: Chapter in Book/Conference proceeding › Chapter › Scientific › peer-review

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T2 - Case studies of Helena Munktell’s In Florence (1889) and Tekla Griebel’s The Rose Time (1895

AU - Hambro, Camilla

PY - 2012/12/21

Y1 - 2012/12/21

KW - Helena Munktell, Tekla Griebel, "I Firenze", "I Rosentiden", Kvindernes Udstilling fra Fortid til Nutid Köpenhamn 1895, genus och kanonisitet vid ingången till 1900-talet

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SN - 978-952-5959-45-1

T3 - DocMus-tohtorikoulun julkaisuja

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EP - 299

BT - Opera on the move in the Nordic Countries during the Long 19th century

A2 - Sivuoja, Anne

A2 - Ander, Owe

A2 - Broman-Kananen, Ulla-Britta

A2 - Hesselager, Jens

PB - Sibelius Academy

CY - Helsinki

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Hambro C. Gendered Agendas and the Representation of Gender in Women Composers’ Operas and Theatre Music at the Dawn of the "Women’s Century": Case studies of Helena Munktell’s In Florence (1889) and Tekla Griebel’s The Rose Time (1895. In Sivuoja A, Ander O, Broman-Kananen U-B, Hesselager J, editors, Opera on the move in the Nordic Countries during the Long 19th century. Helsinki: Sibelius Academy. 2012. p. 271–299. (DocMus-tohtorikoulun julkaisuja).