МУЗИЧКЕ ПРАКСЕ ПУБЛИКЕ КОЛАРЧЕВЕ
ЗАДУЖБИНЕ / MUSICAL PRACTICES OF THE AUDIENCE OF
KOLARČEVA ZADUŽBINA
(ILIJA M. KOLARAC FOUNDATION)

A1 Originalartikel i en vetenskaplig tidskrift (referentgranskad)


Interna författare/redaktörer


Publikationens författare: Sabina Hadzibulic
Förläggare: University of Nis, Nis, Serbia
Förlagsort: Nis
Publiceringsår: 2014
Tidskrift: TEME ČASOPIS ZA DRUŠTVENE NAUKE
Volym: XXXVIII
Nummer: 1
Artikelns första sida, sidnummer: 357
Artikelns sista sida, sidnummer: 376
eISSN: ISSN 0353-7919


Abstrakt

This paper examines the musical practices (needs, habits, and taste) of the audience
of Kolarčeva zadužbina (Ilija M. Kolarac Foundation) in Belgrade. The aim is
sabinica602@gmail.com 358
to identify and describe all aspects of the audience’s musical practices and to determine
the nature and importance of the relationship between respondents’ musical
practices and their artistic family traditions, as well as other factors of social inequality.
In addition, the paper points to the particularities of this audience’s practices as
compared to those of the national sample. The results support the audience’s authentic
affinity for music manifest in intensive musical activity both privately and publicly.
The audience’s distinctive feature is high preference for classical music and opera,
whereas their favouring of “starogradska” (lit. old city) music and traditional folk music
indicates their cultural affiliation. On the other hand, in accordance with other
similar studies of our society, this study also confirms a significant, but not strict, influence
of artistic family tradition and certain socio-demographic characteristics on
the audience’s cultural/musical practices.
Key Words: Kolarčeva zadužbina (Ilija M. Kolarac Foundation), audience, cultural
participation, musical practices
This paper examines the musical practices (needs, habits, and taste) of the audience
of Kolarčeva zadužbina (Ilija M. Kolarac Foundation) in Belgrade. The aim is
to identify and describe all aspects of the audience’s musical practices and to determine the nature and importance of the relationship between respondents’ musical practices and their artistic family traditions, as well as other factors of social inequality. In addition, the paper points to the particularities of this audience’s practices as compared to those of the national sample. The results support the audience’s authentic affinity for music manifest in intensive musical activity both privately and publicly. The audience’s distinctive feature is high preference for classical music and opera,
whereas their favouring of “starogradska” (lit. old city) music and traditional folk music
indicates their cultural affiliation. On the other hand, in accordance with other
similar studies of our society, this study also confirms a significant, but not strict, influence of artistic family tradition and certain socio-demographic characteristics on
the audience’s cultural/musical practices.
Key Words: Kolarčeva zadužbina (Ilija M. Kolarac Foundation), audience, cultural
participation, musical practices.


Dokument


Senast uppdaterad 2019-15-11 vid 04:00