МУЗИЧКЕ ПРАКСЕ ПУБЛИКЕ КОЛАРЧЕВЕ
ЗАДУЖБИНЕ / MUSICAL PRACTICES OF THE AUDIENCE OF
KOLARČEVA ZADUŽBINA
(ILIJA M. KOLARAC FOUNDATION)

A1 Journal article (refereed)


Internal Authors/Editors


Publication Details

List of Authors: Sabina Hadzibulic
Publisher: University of Nis, Nis, Serbia
Place: Nis
Publication year: 2014
Journal: TEME ČASOPIS ZA DRUŠTVENE NAUKE
Volume number: XXXVIII
Issue number: 1
Start page: 357
End page: 376
eISSN: ISSN 0353-7919


Abstract

This paper examines the musical practices (needs, habits, and taste) of the audience
of Kolarčeva zadužbina (Ilija M. Kolarac Foundation) in Belgrade. The aim is
sabinica602@gmail.com 358
to identify and describe all aspects of the audience’s musical practices and to determine
the nature and importance of the relationship between respondents’ musical
practices and their artistic family traditions, as well as other factors of social inequality.
In addition, the paper points to the particularities of this audience’s practices as
compared to those of the national sample. The results support the audience’s authentic
affinity for music manifest in intensive musical activity both privately and publicly.
The audience’s distinctive feature is high preference for classical music and opera,
whereas their favouring of “starogradska” (lit. old city) music and traditional folk music
indicates their cultural affiliation. On the other hand, in accordance with other
similar studies of our society, this study also confirms a significant, but not strict, influence
of artistic family tradition and certain socio-demographic characteristics on
the audience’s cultural/musical practices.
Key Words: Kolarčeva zadužbina (Ilija M. Kolarac Foundation), audience, cultural
participation, musical practices
This paper examines the musical practices (needs, habits, and taste) of the audience
of Kolarčeva zadužbina (Ilija M. Kolarac Foundation) in Belgrade. The aim is
to identify and describe all aspects of the audience’s musical practices and to determine the nature and importance of the relationship between respondents’ musical practices and their artistic family traditions, as well as other factors of social inequality. In addition, the paper points to the particularities of this audience’s practices as compared to those of the national sample. The results support the audience’s authentic affinity for music manifest in intensive musical activity both privately and publicly. The audience’s distinctive feature is high preference for classical music and opera,
whereas their favouring of “starogradska” (lit. old city) music and traditional folk music
indicates their cultural affiliation. On the other hand, in accordance with other
similar studies of our society, this study also confirms a significant, but not strict, influence of artistic family tradition and certain socio-demographic characteristics on
the audience’s cultural/musical practices.
Key Words: Kolarčeva zadužbina (Ilija M. Kolarac Foundation), audience, cultural
participation, musical practices.


Documents


Last updated on 2019-22-05 at 04:52